Watches from the class of 2017 are much like those of 2016 – they’re simple, less expensive and less complicated – and a million miles from the 2012 vintage. Or are they? As watch customers tighten their belts, it would seem at first sight that everything has been ratcheted down a notch. But if you look at the very top drawer, the number of high-complication watches introduced this year makes it look more like a very special year indeed. In quantity, variety and intensity, 2017 is an exceptional vintage for watches with more than the average number of hands.
Major brands like Breguet, Cartier and Lange are singing from their habitual songsheets, but the same applies to more modest brands like Hysek and Bovet. Specialists of the superlative, like Greubel Forsey and Richard Mille, are humming along to the same tune as Montblanc. Highly optimised and versatile multi-complication movements are competing with extraordinarily refined but more specialised mechanisms.
A well-heeled and well-informed collector could find himself hesitating between two very different styles and formats. On one side, you might have an astronomical watch with a tourbillon, a ten-day power reserve and other delights, like the Récital 20 Astérium by Bovet, with its pure classical styling. On the other, there could be Hysek’s Colossal, with a list of complications and spec sheet (time of manufacture, number of parts, dimensions) to make your head spin.
Récital 20 Astérium © Bovet 1822
Colossal © Hysek
This same collector may have to choose between a monster of complexity and a monster of complications. For the complications, the Tourbograph Pour le Mérite by German watchmaker A. Lange & Söhne offers a package including a tourbillon, fusée and chain, perpetual calendar and split-seconds chronograph, with a thickness and weight to match. For complexity, there’s the Richard Mille RM 50-03 McLaren F1, which plays the high-tech card in terms of materials, lightness and rigidity, with a tourbillon, split-seconds chronograph, function indicators and the whole bag of tricks, made of a carbon fibre/graphene composite material inside and out.
Tourbograph © David Chokron/WorldTempus
RM 50-03 McLaren F1 © David Chokron/WorldTempus
For a more modest outlay (relatively speaking) he might also look at a watch that could be considered the quintessence of Cartier’s haute horlogerie expertise. The Rotonde Répétition Minutes Double Tourbillon Mystérieux manages to be spectacular, intriguing and iconoclastic all at once. Conversely, the ExoTourbillon Rattrapante by Montblanc comes straight out of its Villeret workshops, where everything is done the old-fashioned way, by hand, in-house, with an obsessive attention to detail and a reverence for the very best of traditional craftsmanship.
Rotonde Répétition Minutes Double Tourbillon Mystérieux © Cartier
Exo Tourbillon Rattrapante © David Chokron/WorldTempus
The grand complication remains an haute horlogerie staple, particularly when it comes to introducing a new family or generation of watches. Breguet is no exception: to launch the latest variant on its Marine, the company opted to give it a tourbillon, retrograde perpetual calendar, equation of time and power reserve. The forest of simpler models may help to conceal the great trees that continue to fly the flag for watchmaking excellence. But you just have to look carefully: the sequoias are always visible above the horizon.
Marine Equation Marchante 5887 © Breguet
So besides the fact that an in-house motion has become more and more significant, Cartier Watches For Womens Yellow Gold Replica realised quite well that to become really reliable and successful in the sphere of high-end watches they needed to create not only their particular calibers, but also as many parts as possible, such as the case, springs, rotors, dials, hands, glass etc.Cartier constructed, throughout the Collection Privée period, a huge — over 30.000 square meters — manufacture at La Chaux-de-Fonds (see our coverage) and began to use a chosen group of watchmakers on a follow up project to be started in 2008, all headed by Carole Forestier-Kasapi, the genius watchmaker that was hired in 2005 and had worked in Audemars Piguet (Renaud & Papi) and van Cleef & Arpels. This very modern and high-end manufacture is currently with the Rolex manufacture, the biggest in Switzerland!The very first outcome of Cartier’s high-end watchmaking premiered in November 2007. A — by Carole Forestier-Kasapi — developed Flying Tourbillon caliber was shown to the media. Regrettably, the opinion was set in a 47mm oversize Ballon Bleu case, after the large watch trend.Since the launch of the Flying Tourbillon, Cartier didn’t rest on their laurels. While other leading brands such as Audemars Piguet were carrying it quietly and pleasing the watch fanatics with ‘Offshore’ after ‘Offshore’, year after year, Cartier made over-hours and invented new materials, new calibers and surprised the press every January in the SIHH with real novelties. Back in 2009, and again in 2012, Cartier even encouraged more than a hundred journalists from around the planet and flew them into La Chaux-de-Fonds, to show the ID-ONE and ID-TWO watch at their own manufacture. Two prototype watches which would not hit the current market, but were created for study and — of course — to show the press just how far ahead Cartier was in fine watchmaking.
